Showing posts with label Segovia. Show all posts
Showing posts with label Segovia. Show all posts

Wednesday, October 17, 2012

The Segovia Collection, Vol. 6: Manuel Ponce Sonatas

The Segovia Collection, Vol. 6: Manuel Ponce Sonatas Review


Manuel Ponce was one of the 20th century's finest composers of guitar music as well as a close friend of Segovia's. His sonatas are excellent pieces that achieved their well-earned popularity largely thanks to Segovia's advocacy. He's particularly adept in the slow movements, in which he creates that sustained, singing line so difficult to achieve on the guitar. To listen to these performances is to be present at the birth of a grand tradition, and Segovia plays the music with all the love and enthusiasm you could possibly ask for. --David Hurwitz Read more...


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Sunday, September 16, 2012

My Favorite Spanish Encores: Andres Segovia

My Favorite Spanish Encores: Andres Segovia Review


A collection of Spanish tunes most requested by his audiences Read more...


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Friday, April 6, 2012

Art of Segovia

Art of Segovia Review


Featuring very little overlap with the four-CD box set The Segovia Collection, this two-disc set collection of popular guitar works features almost 20 minutes of music never before heard on compact disc.
Genre: Classical Music
Media Format: Compact Disk
Rating:
Release Date: 8-OCT-2002 Read more...


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Art of Segovia Specifications


DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan Davis

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Friday, March 30, 2012

The Segovia Collection (Vol. 4): The Baroque Guitar

The Segovia Collection (Vol. 4): The Baroque Guitar Review


The tracks are: (Purcell) 1. Prelude, 2. Minuet, 3. A New Irish Tune, 4. Jig, 5. Rondo, (Scarlatti) 6. Sonata in A, (Handel) 7. Sonata in D minor, 8. Fughette, 9. Menuet, 10. Air, 11. Passepied, (Frescobaldi) 12. Passacaglia, 13, Corrente, Weiss) 14. Fantasie, 15. Tombeau sur la mort de M. Comte d'Logy, 16. Minuet I - Minuet II, (Bach) 17, Prelude (from Cello Suite No. 1), 18. Gavotte (From Cello Suite No. 6), 19. Bouree (From Lute Suite), 20. BNouree (from Violin Partita No. 1), Handel) 22. Allegretto Grazioso, 23. Gavotte, 24. Minuet, 25. Sarabande, (Scarlatti 26. Sonata. Read more...


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